This is the show where it really started to click, everyone felt there was something cool starting to happen with the first one but here we got to experiment even more. First by teaming violinist Jane Anfinson, and cellist Michael Savrinns (both from the group Own) with DJ/audio manipulator Chris Satinger. Then A Most Happy Sound (which at the time consisted of myself, and Mike Croswell, both playing digeredoo) with the undancable break beats of DJ Drone.

If the first show is where we got try the idea out, the second is where we could really begin to explore the potential of it, see how far we could push the envelope. What we discovered; if we stayed in night clubs , not terribly far. No offense to First Avenue (it really is a great club, but it is still ultimately a bar and there in the business of selling drinks, not pushing musical boundaries, though they have in the past done that too.) but it really wasn't where we belonged. for Future Perfect to keep going it needed to do so on its own terms, and without concessions.